New Publications: Autism, Book Selling, Dark Romance, Ethnicity, Happiness, History, Readers

Bogaert, Anthony F.,  Jessie E. Hernder and , Jessica R. Johnson (2026). "Who “Feels Sexy” in the Google Books Corpus? Text-Mining Evidence for Gender Differences in Object of Desire Self-Consciousness." Archives of Sexual Behavior. [Abstract here.]

Datta, Sreepurna (2026). "Around the world on Amazon: Locating diasporic Indian romance novels published by Harlequin Mills & Boon." Literature, Critique, and Empire Today.

Deane,  Katie (2026). "Dark romance: an introduction." Porn Studies.

Eimannsberger, Angelina (2026). "The Romance Shop Around the Corner: How Women Readers Created a New Kind of Independent Bookstore." The New Americanist 4.1-2.  [Abstract here.] 

Grant, Ania (2025). Evolution, Feminism, and Romantic Fiction: From Mr. Darcy to Mr. Big London: Routledge. [Abstract here.]

Handley-Cousins, Sarah (2026). "Love Is a Battlefield: Civil War Memory in Modern Romance Novels." They Are Dead and Yet They Live: Civil War Memories in a Polarized America. Ed. John M. Kinder and Jennifer M. Murray. Lincoln: University of Nebraska Press. 152-169. [Excerpt here.]

Majidi, Nikki (2026) "Fast Fiction": Booktok, Artificial Intelligence, and the Profit-driven Reinvention of the Romance Genre. Undergraduate Dissertation, California State University, Long Beach.

 

Miller, Jessica (2026). ""I Shall Be Very Happy, Indeed": The Meanings of Happiness in Bridgerton" Bridgerton and Philosophy: Dukes, Debutantes, and Deep Questions . Ed. Jessica Miller. Wiley. [This article is free online. The remained of the volume is not. I have more details about that volume here. It won't be available until March.]

 

Musiał-Pudełko, Aleksandra (2026) "'You and Me and History': Queer Romance and Liberal Fantasy in Casey McQuiston's Red, White & Royal Blue." Erotic Discourses in History, Culture and the Arts. Ed. Aleksandra Musiał-Pudełko, Nina Augustynowicz, Agnieszka Podruczna. New York: Routledge. [Abstract here.]

 

Niebergall, Chelsee M. (2026) "Constructing Hybrid Identities: Cultural Negotiation and Belonging in Uzma Jalaluddin's Ayesha at Last," CLAMANTIS: The MALS Journal: Vol. 17: No. 2, Article 16.

 

Parnell, Claire (2025). "The Politics of Algorithmic Hyper(in)visibility: BIPOC, LGBTQ+ and Erotic Romance Fiction on Amazon." Érudit 16.2: 1–28.

 

Segura Candado, Leyre (2025). Love Beyond Conventions: Contemporary Romance and the Representation of Non-Normative Bodies. Undergraduate Dissertation, Universidad de Zaragoza.

 

Smith, Evelyn (2025). Correlations Between Parasocial Tendencies and Self-Esteem Among Romance Readers. Honors thesis, Columbus State University.

 

Vargová, Veronika (2025). "‘What will you do with yourself when you grasp that your mind is only different, not deranged?’: Madness and Neurodivergent Heroes in Historical Romance Novels." The Journal of Historical Fictions 6.1:45-66.

 

Vargová, Veronika (2025). Happily Ever After, Differently: Reimagining Autism and Intimacy in Popular Romance Novels. PhD, Masaryk University.

New Publications, an Exhibition on Romance, and Coverage in the Media

• Indiana University's Lilly Library has an exhibition (from August 19th 2024 – February 15th 2025) celebrating romance:

In 2021, the Lilly Library became the first major American special collections library to take romance seriously—and we owe the foundation of this visionary collection to author, scholar, and antiquarian bookseller Rebecca Romney, cofounder of the bookselling firm Type Punch Matrix. A romance reader herself as well as an expert on the history of the book, Romney set out to assemble a collection of 100 important works in the history of romance fiction from 1769 to 1999. Because some of the hundred entries in the catalog contain multiple titles (such as the first 1,500 Harlequin Presents romances), these substantial and carefully researched selections became the core of the Lilly’s new romance collection. One of the things we love most about Romney’s selections is her focus on diversity—the history of the romance novel has never been only about straight white men and women.

As we continue to add historical and 21st century titles to the collection, our focus remains on the importance of the romance genre in the history of the book, the ways in which it empowered readers and writers, and also on the potential the genre holds for those who are not taken seriously by people in power to tell their stories of finding a “happily ever after” ending.

• Women's Weekly has an article marking Harlequin Mills & Boon's Australia office's 50th birthday. The article on M&B's history heavily features IASPR's Dr Jodi McAlister. 

• Slate reports on a trend in anti-billionaire romance novels.

New books are questioning the ethics of billionaires, having the heir to a family fortune come out against his father’s unethical business practices, and (in the historical context) having the wealthy risk their place in society by supporting progressive causes like the abolition of slavery. At least one author is trying to put together an antibillionaire romance anthology.

• Time has an article on the evolution of romance covers. This complements their list of the best 50 romances to read, curated by author Casey McQuiston, who also wrote an article for them explaining why "Romance Novels are Literature."
  

Even at its cheekiest or darkest or most satirical, it’s a genre made of sincerity. Opening ourselves earnestly to an emotional experience feels dangerous, and danger makes us nervous, and when we’re nervous, we laugh.But if we don’t laugh, if we don’t turn away, if we stop pretending to be too cool or too intellectual or too ironic to acknowledge our own desire, romance has so much to show us about ourselves. Which is exactly what literature should do.

And here are the new publications I've come across:

 

Horst, Lauren (2024). "The Romance Novel." The Oxford History of the Novel in English: Volume 8: American Fiction since 1940, Ed. Cyrus R. K. Patell and Deborah Lindsay Williams. Oxford University Press. 468–483. https://doi.org/10.1093/oso/9780192844729.003.0041

 

Horst, Lauren (2024). "Exemplum J. R. Ward, Dark Lover (2005)." The Oxford History of the Novel in English: Volume 8: American Fiction since 1940, Ed. Cyrus R. K. Patell and Deborah Lindsay Williams. Oxford University Press.  484–489. https://doi.org/10.1093/oso/9780192844729.003.0042  

 

Kamrath, Kelly (2024). French Interwar Popular Romance and Ideals of Femininity: A Literary and Historical Study of Magali. Master of Arts, University of Nebraska. 

 

Moussaoui, Abdelghani (2024). "On the Racialization of the Moroccan ‘Other’ in Orientalist Romance." International Journal of Language and Literary Studies 6.2:103–116.

Moussaoui, Abdelghani (2024). "The Discursive Formation of Ethnic Subjectivities and Identities in Popular Romance." International Journal of Language and Literary Studies 6.3:106-119.

 

Stewart, Eowyn (2024). A Hero in Tears: How the Female Gaze Elicits Male Emotional Vulnerability in Romance Novels. Honors Thesis, Abilene Christian University.

Deadline Extended: Francis Award ($250 USD + Publication)

The International Association for the Study of Popular Romance (IASPR) is has extended the deadline for the Conseula Francis Award for the best unpublished essay on popular romance media and / or the logics, institutions, and social practices of romantic love in global popular culture. Submissions must now be received by Friday, January 6, 2017.  The winning essay will receive a $250 USD cash prize and be published in the peer-reviewed Journal of Popular Romance Studies, pending any needed revision according to the judges’ comments.

Essays submitted for the Francis Award may focus on work in any medium (e.g., fiction, film, TV, music, comics, or advice literature) or on topics related to real-world courtship, dating, relationships, and love. Conseula Francis’s work on popular romance fiction focused on African American authors and representations of Black love, and priority for the Francis Award will be given to manuscripts that address the diversity of, and diversities within, popular romance and romantic love culture: e.g., diversity of race, ethnicity, gender, religion, class, sexuality, disability, or age.

All submissions should be sent to Erin Young, Managing Editor of the Journal of Popular Romance Studies, at managing.editor@jprstudies.org. Please put “Francis Award” in your subject line. All submissions must be Microsoft Word documents, with citations in MLA format; in keeping with JPRS publication guidelines we will consider essays of 5000 to ~10,000 words in length. Please remove your name or the name of any co-authors from the submitted manuscript; in your cover-letter email, please provide your contact information (address, phone number, e-mail address) and a 150-200 word abstract of the submission.

The judges for the Francis Award will be a mix of established and emerging scholars in the field of Popular Romance Studies, chosen by IASPR. The award winner will be announced in April, 2017; each year’s winner will be invited to join the panel of judges for the following year.