Since there are so many of these, I've included hyperlinks in the list below:
The Pleasures and Politics of Popular Erotic Fiction
(Edited Collection)
The publication of EL James’
Fifty Shades of Grey in 2011 marks a particularly visible moment
in what appears to be a proliferation of erotic fiction, written by and
for women, since the end of the twentieth century. More than just an
instance of a particular genre of fiction,
Fifty Shades has spawned considerable discussion of the significance of ‘women’s popular erotic fiction’ generally.
The Pleasures and Politics of Popular Erotic Fiction seeks to explore this phenomenon, its social and textual origins and its attendant conceptual and political effects. In doing so, the book
aims to examine the discursive regularities and popular debates framing
the production and reception of women’s popular
erotic fiction; the cultural anxieties and transformations such texts
express; the ways in which they reinscribe and negotiate relations of
gender, sexuality, race, and kinship. We are interested in exploring the
ideological forces underpinning their development
and visibility as both a ‘new’ and ‘popular’ form; the ever-growing
proliferation of subgenres and their role in shaping popular ideas about
romance, relationships, desire, and the erotic.
We invite proposals for contributions to an edited collection of critical research on the cultural significance of ‘women’s
popular erotic fiction’. Possible areas of research include (though are not limited to):
- The cultural work of the different subgenres (BDSM, paranormal romance, erotic crime fiction, ménage a trois, ‘neighbour from hell’, sex confessionals) and the ways of speaking about, categorising and marketing these texts.
- The rise of independently published online erotic fiction (production and consumption) and the discourses surrounding it.
- Debates around originality and derivativeness.
- The continuities and departures of erotic fiction from its predecessors in
romance fiction and chick lit, as well as those from more ‘respectable’
literary traditions.
- The
role of popular erotic fiction in reinforcing and/or transgressing the
hegemony of whiteness, heterosexuality, patriarchy, the family, etc.
- The
role of this fiction in circumscribing an idea of ‘the West’, as well
as the possibilities offered by non-western forms of popular erotic
fiction.
- The pleasures of reader consumption and the discourses surrounding it.
- The function of romance in women’s erotic fiction.
Expressions
of interest, including an abstract (250-300 words), a short author bio
and list of recent publications, may
be forwarded via email to the editors by 24 May, 2013. The anticipated
due date for accepted contributions (6,500 –7,500) is 29 November, 2013.
Dr Kristen Phillips, Claire Trevenen, Curtin University (Bentley, Western Australia)
Contact email:
k.phillips@curtin.edu.au,
Claire.Trevenen@curtin.edu.au
Literature and Pornography
The dust may have begun to settle in the blogosphere, but M. L.
James’s
Fifty Shades of Gray novels continue to dominate the bestseller
list, impervious to the literary outrage that greeted their remarkable
success. In the wake of this phenomenon,
LIT: Literature Interpretation Theory invites essays on literary works that flirt with, dabble in, or
wholly embrace the pornographic. We are interested in scholarly
engagements with the history, theory, and politics of pornography, as
well as studies of the popularity, reception, censorship, and
“literariness” of texts considered pornographic. We welcome essays on
both canonical and lesser-known works, from John Cleland’s
Memoirs of a
Woman of Pleasure (1748) to Henry Miller’s
Tropic of Cancer (1934) to,
yes,
Fifty Shades of Gray.
LIT welcomes essays that are theoretically
grounded but also engaging and accessible. Contributions should be from
5,000-10,000 words in length.
LIT: Literature Interpretation Theory publishes critical essays that
employ engaging, coherent theoretical perspectives and provide original,
close readings of texts. Because
LIT addresses a general literate
audience, we encourage essays unburdened by excessive theoretical
jargon. We do not restrict the journal's scope to specific periods,
genres, or critical paradigms. Submissions must use MLA citation style.
Please email an electronic version of your essay (as an MS Word
document), along with a 100 word abstract, to
litjourn@yahoo.com.
Deadline for submissions: March 17, 2013. Full details
here.
Literary Texts and the Popular Marketplace
(Series Editors: Kate Macdonald and Ann Rea)
In the past, critics and writers anxious to build the canon have
often focused on the 'highbrow' or high culture dismissing other writers
to the derogatory category of 'middlebrow' or 'popular' literature.
Some writers and texts actively resisted such prejudices or embraced
popular appeal through a willingness to address a wide audience. Other
texts were dismissed from the canon because they were written by women,
addressed women’s concerns, or because they appeared connected with
strands of the middle- and working-class inimical to high culture.
This series offers monographs and edited collections of essays that
examine the extents and effects of writing that resists the uncritical
embrace of the highbrow. Crossing both cultural and geographic
boundaries, it brings together studies of texts, writers, readers,
producers and distributors. It will highlight current debates about the
politics of mainstream readerships and media, about the designation of
audiences and material methods of circulation and will address
contemporary critical concerns. By attending to how these texts resist
the 'high' cultural imperative it is possible to learn how culture is
commodified for particular classes and the role that gender and social
class play in the production of those categories.
We invite submissions from established scholars and first-time authors
alike. Prospective authors should send a detailed proposal with a
rationale, chapter outlines and at least two sample chapters alongside a
brief author's biography and an anticipated submission date.
More details
here.
Australasian Journal of Victorian Studies
(Special Edition on Neo-Victorianism)
The
Australasian Journal of Victorian Studies (AJVS) invites
submissions for a special edition on neo-Victorianism to be published in
September 2013. AJVS is a fully refereed journal published by the
Australasian Victorian Studies Association, with articles covering
topics as diverse as archaeology, architecture, art, economics, history,
literature, medicine, philosophy, print culture, psychology, science,
sociology and theatre appearing in its pages.
The past decade has seen increasing scholarly interest in what
Marie-Luise Kohlke, editor of Neo-Victorian Studies, calls "the
afterlife of the nineteenth century in the cultural imaginary". This
edition aims to contribute to the growing interdisciplinary dialogue
about the ways in which the Victorian period is re-imagined in
contemporary culture. The guest editor invites research papers on any
aspect of the neo-Victorian, including, but not limited to:
• Neo-Victorian literature, popular fiction, graphic novels and comic books;
• Film, television and dramatic adaptations of Victorian literature;
• Steampunk fiction, art and fashion;
• Neo-Victorianism and cultural conservatism;
• Neo-Victorianism and its significance for Victorian Studies;
• Nostalgia and remembering;
• Gender, sexuality and class politics and neo-Victorianism.
Papers of no more than 7,000 words in length should be emailed as a
Word document with an accompanying abstract of approximately 200 words
to Dr Michelle Smith,
msmith@unimelb.edu.au by 1 April 2013.
More details about submissions can be found
here. The call for papers can be found
here.
Urban Fantasy and Paranormal Romance (Essay Collection)
Eds. Nadine Farghaly and Margo Collins
Articles about urban fantasy and romance novels are invited for a new, multi-contributor collection.
During the last few decades, urban fantasy and paranormal romance
novels have come to the forefront of the publishing world. Normative
heroes and heroines have been joined by werewolves, vampires, mermaids,
shape-shifters, centaurs and dragons, to name but a few. These magical
creatures fill the pages of books and the screens of movie theaters in
ever-increasing numbers.
Such a vast industry—one that generated at least 75 million readers
in 2008 alone (and has been growing since)—deserves more study. This
collection will offer critical examinations of both urban fantasy and
paranormal romance.
The following categories suggest possibilities but are by no means exhaustive:
• Gender
• Race
• Sexuality
• Romance
• Desire
• Domesticity
• Power
• Monstrosity
• Witchcraft
• Fandom and/or Reception
• Transformation and/or Adaptation
• Vampires, Shapeshifters, and other Supernatural Creatures
• Hybridity
• Heroism
• Villainy
• Memory
What to Send: 300 - 500 word abstracts (or complete articles, if available) and CVs
should be submitted by June 1, 2013. If an abstract is accepted for the
collection, a full draft of the essay (5000 – 8000 words) will be
required by December 1, 2013.
Abstracts and final articles should be submitted to:
paranormalromance.urbanfantasy@gmail.com
The call for papers can be found
here. Unfortunately, no further details are given about the editors or the publisher of the essay collection. If you have any more information about either of these matters, perhaps you could leave a comment?
