Showing posts with label Bollywood. Show all posts
Showing posts with label Bollywood. Show all posts

Thursday, September 13, 2018

News Round-up and Calls for Papers


On 29 August the Journal of Popular Romance Studies was added to the European Reference Index for the Humanities and Social Sciences (ERIH PLUS). This is an indicator of the quality of the journal and increases its visibility:
The main aim of ERIH has been from its very beginnings to enhance global visibility of high quality research in the humanities published in academic journals in various European languages all over Europe. The index enables researchers to better understand and promote the national and international importance of their research. (About)
Entertainment Weekly report that
Bea and Leah Koch, the sister duo who founded and own Los Angeles’ romance bookstore The Ripped Bodice, have signed an overall deal with Sony Pictures Television [...]. The Koch sisters will partner with Sony to develop romance-focused projects for television based on their unique connection to romance readers and authors.
A symposium is being held at the University of Warwick on 28th September, on the topic of "Imagining ‘We’ in the Age of ‘I’: Romance and Social Bonding in Contemporary Culture". Speakers include:
  • Abhija Ghosh (Jawaharlal Nehru University, New Delhi) on ‘Orchestrating Romance: Nineties Romance Genre, Film Song and Bollywood’
  • Diana Holmes (University of Leeds), on ‘Plaisirs d’amour: love and popular fiction in contemporary France’ 
  • Lucy Sheerman (independent researcher) on ‘Reader I Mirrored Him: the recasting of romance tropes in Jane Eyre fanfiction'
If that makes you want to write a paper about love, then the call for papers for "Love, etc", A conference sponsored by the “Uses of Literature” Research Project at the University of Southern Denmark, October 3-4, 2019 might be of interest. The closing date for submissions is November 15 2018.

Alternatively, there are still a few days left before the closing date for submissions to the ACLA Book Lovers seminar: "Book Lovers welcomes abstracts that touch on any aspect of love". Abstracts must be received by Thursday, September 20, 2018 at 9 a.m. EST. The American Comparative Literature Association's 2019 Annual Meeting will take place at Georgetown University in Washington, DC, March 7th-10th, 2019.

There's also been a call for papers for a panel on Muslim Popular Culture in Asia: Aesthetics and Politics at the German Association for Asian Studies’ (DGA)'s biannual Conference on Contemporary Asia, which will be held in April 3–5, 2019 in Würzburg, Germany. The deadline for all paper proposal submissions is October 7, 2018, 6:00pm (CET).


Kate Cuthbert's keynote address to the 2018 Romance Writers of Australia conference, on "the romance novel and representations of sexuality after #MeToo" is now available online. It discusses hope, and how romance has a history of growing and changing.

In August a team from the Surgery and Emotion project introduced visitors to the Science Museum to Mills & Boon romances:
One participant said it was ‘such a fun station’ and that they’d ‘learnt a lot about Mills & Boon books’. Another commented it was ‘so fun’, ‘a good idea for an activity’, and that it encouraged her to think about ‘the cultural impact of medical fiction’. One attendee described it as an ‘awesome stall’, explaining that they ‘didn’t know anything about Mills & Boon before, it’s really made me think’. Finally, one visitor remarked that it was a ‘super enjoyable’ activity, and that they’d ‘learnt a lot about how the novels were ahead of their time, regarding females’ roles in a medical setting’.
More details here.

Sourcebooks is releasing new editions "of 11 of Heyer’s Regency romances as part of the Georgette Heyer Signature Collection" (Keira Soleore). The books in the "Georgette Heyer Signature Collection" include
praise from scores of bestselling authors, sharing their love of Heyer and why she’s such a gem. Each book includes a fun glossary of Regency slang, plus an Afterword by Heyer’s official biographer Jennifer Kloester, with fascinating insights about what Heyer thought about her own books and what was going on in her life at the time she was writing them. A Reading Group Guide helps readers delve into discussion of Heyer’s time and ours, and why the more things change, the more they stay the same (human nature for sure!).
Keira Soleore has interviewed Jennifer Kloester.


Friday, June 26, 2009

Bollywood Romance

Eric's at Romancing the Blog today, discussing and recommending some Bollywood movies:
A few years ago, as I was wrapping up my first class on romance fiction, an Indian American student told me that she had loved these novels partly because they reminded her of Bollywood movies. When I told her that I’d never seen one, she was shocked [...]

Om Shanti Om
, whose reincarnation / mystery / revenge / love story plot and echoes of older movies reminds me [...] contributed lots of catch phrases to our family lexicon, including [...] the movie’s big quotable motto: “If it isn’t a happy ending, then the movie isn’t over yet.”

Our latest favorite is a movie set in Amristar, the Punjabi city you might have seen in Bride and Prejudice. It’s called Rab Ne Bana di Jodi, which means something like “A Couple Made by God,” and its plot draws on all sorts of tropes familiar to romance readers : the abrupt marriage of convenience (in this case, to please a father); courtship under a secret identity; healing and redemption through love. Again there’s the mix of sentiment and humor, subtle and broad; again there are lots of winks and inside jokes that I’m actually starting to get. What really wows me in the movie, though, is that it’s a version of Inspirational romance, but with a very different version of religious faith and its relationship to romantic love. My favorite song in the movie, “Tujh Mein Rab Dikhta Hai” (”In You I See God / Oh, What Shall I Do?”), features our hero by turns in a temple (Hindu? Sikh? I’m not sure), then a church, then a mosque, singing a hymn to his wife the whole time. I don’t know if that’s anything special to an Indian viewer–there’s a similar ecumenical theme in another film I liked, the historical epic Jodha Akhbar–but I’ll tell you, it blew me away and has been haunting me ever since.



Please join Eric over there to read the rest of his post and join in the conversation.