Open Source Academic Publishing

Laura Vivanco.

There are plenty of open source academic journals (including JPRS, of course), and I've seen free repositories for dissertations etc, but I hadn't previously seen an open source academic publisher like ETC press. This may just be an indication of my ignorance, of course. Here's part of what ETC has to say about itself:

ETC Press is a publishing imprint with a twist. We publish books, but we’re also interested in the participatory future of content creation across multiple media. We are an academic, open source, multimedia, publishing imprint affiliated with the Entertainment Technology Center (ETC) at Carnegie Mellon University (CMU).

This year they've published a book written by the bloggers at the popular culture blog The Cultural Gutter. The book can be read in a variety of formats, most of which are free, and contains

10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.

Chris Szego's short articles on romance cover a variety of topics including Georgette Heyer, fairy tales, Mary Stewart, Nora Roberts, and the Smart Bitches' Beyond Heaving Bosoms.


The graphic is the Open Access logo, designed by the Public Library of Science, and downloaded from Wikipedia.

Romance and Chick Lit Links

Laura Vivanco

Chris Szego on the romance genre and its relationship to fairytales.

Jessica at Read React Review's 'summary of "Reading Romantic Fiction", Chapter 4 of Joanne Hollows’ Feminism Femininity and Popular Culture.'


Chick Lit. Ed. Sarah Gormley and Sara Mills. Working Papers on the Web, 13 (September 2009). This is online and available to be read in full, for free. It contains:

• 'Introduction'. Sarah Gormley discusses the definition of 'chick lit' and gives a brief history of the genre. She also notes that

  For Harzeswki, the depiction of serial dating in chick lit subverts the primary ‘one woman—one man’ tenet of popular romance identified by Radway (1989); the affording of equal or more attention in chick lit to the quest for self-definition rather than a sole focus on the romance plot shifts emphasis from the centrality of the love story in popular romance; unlike both the novel of manners and the popular romance, chick lit virtually replaces the centrality of the heterosexual hero with the prominence of a gay male best friend; and that narrative closure in the form of an engagement or marriage is not a prerequisite in chick lit reformulates the marriage plot of the novel of manners and the ‘happy ending’ of popular romance fiction.

• 'Lad lit as mediated intimacy: A postfeminist tale of female power, male vulnerability and toast'. Rosalind Gill suggests that

  Perhaps the most striking feature of lad lit is the difference between the characterisation of masculinity here and in other fictional genres. In traditional romances the heroes are invariably strong, powerful and successful; in spy fiction and military genres they are presented as intelligent, valiant, purposeful; in lad lit, by contrast, readers are offered a distinctly unheroic masculinity—one that is fallible, self-deprecating and liable to fail at any moment.



• 'When Romantic Heroines Turn Bad: The Rise of the ‘Anti-Chicklit’ Novel.' Sarah Gamble


• 'Teening Chick Lit?' Imelda Whelehan


• 'Chick Lit and Marian Keyes: The ideological background of the genre'. Elena Pérez-Serrano


• 'Chick Lit: A Postfeminist Fairy Tale'. Georgina C. Isbister comments that

  To the extent that Bridget Jones’s Diary and other chick lit novels base their narratives around a love plot, they tend to do so by opposing two types of classic male suitors, the traditional Byronic hero (in Bridget’s case, Daniel Cleaver) and the contemporary nascent feminist hero (Mark Darcy). Here the two heroes together symbolize the protagonist’s negotiations of the traditional gendered romantic fantasy of love versus the contemporary feminist love of equality.

Image from Wikimedia Commons.