Showing posts with label Julie Moody-Freeman. Show all posts
Showing posts with label Julie Moody-Freeman. Show all posts

Monday, October 04, 2021

Videos: Black Romance and (in Spanish) an Introduction to Romance

As mentioned in the JPRS newsletter [you can sign up to it here], there are now videos available on YouTube of both

a roundtable discussion, Black Romance: Past, Present, Future, that was held on September 17, 2021. Moderated by Dr. Margo Hendricks, panelists included Dr. Piper Huguley, Dr. Katrina (Nicole) Jackson, Tatianna Richardson, and Dr. Yakini Etheridge. This roundtable can now be viewed here.

and

Black Romance Masterclass, was held on September 18, 2021, and was led by author and scholar, Dr. Margo Hendricks on the creative process of writing a romance novel. It also looked at black romance and pedagogy, as well as black romance and scholarship. This masterclass can now be viewed here.

An introductory lecture on romance, given in Spanish by Dr. Nattie Golubov, can be found below. The slides start at around 5 minutes into the video. 

Friday, December 18, 2020

Congratulations and Recent Publications

First of all, I'd like to congratulate the 2020 winners of the RWA Academic Research Grant. The

RWA Academic Grant Committee has recommended and the RWA Board of Directors has approved Dr. Julie E. Moody-Freeman, an Associate Professor in African and Black Diaspora Studies at DePaul University, and Hannah E. Scupham, a doctoral student in Literature at the University of Kansas, as recipients of the 2021 RWA Academic Research Grant. 

and here are more details about the research for which they've received the grants:

‘Lift as We Climb’: Black Romance Writers, Social Justice, and Institution Building, Dr. Julie E. Moody-Freeman

Grant funds will be used to aid in her research that will examine black writers’ representations of racial uplift in which their romantic plots and produce one season of the Black Romance Podcast, which documents the history of the production and publication of Black Romance through Dr. Moody-Freeman’s conversations with writers, editors, journalists, and scholars.

 

Sensual Politics: Modern Romance Novel Reading and Reimagination of the Victorian Past, Hannah E. Scupham

Grant funds will be used to fund dissertation research. Scupham’s work focuses on how contemporary popular romance novels set in the nineteenth-century century seek to challenge and change modern readers’ imaginations of the nineteenth-century, specifically on issues of gender, sexuality, and race.

Here are some recent publications, one of which, by Caroline Duvezin-Caubet, touches on the same area of research as Scupham's, and it's free to read online.

Duvezin-Caubet, Caroline, 2020. "Gaily Ever After: Neo-Victorian M/M Genre Romance for the Twenty-First Century." Neo-Victorian Studies 13.1: 242-269.

Intan, Tania, 2020. "Formula Romance Dalam Perfect Romance Karya Indah Hanaco: Kajian Sastra Feminis." Alayasastra 16.2: 301-316. [More details here.]

Murias, Rosana, 2021. "In Grey and Pink: The Image of the Bride through the Spanish Postwar Novela Rosa." The Bride in the Cultural Imagination: Screen, Stage, and Literary Productions. Ed. Jo Parnell. Lanham, Maryland: Lexington Books. 17-34. [More details here.]

Friday, September 11, 2020

Black Romance Podcast

 Julie Moody-Freeman, of DePaul University, has started a podcast:

The Black Romance Podcast features conversations with Black writers, editors, and scholars of historical and contemporary popular romance fiction. Guests talk about a range of experiences: their difficulties trying to publish love stories with Black characters; their favorite books; writing and teaching about black romance fiction; traditional vs self-publishing; publishing queer romance fiction; the impetus for writing books that focus on inclusion and racial uplift themes; and their recently released books. These intergenerational voices of writers featured in this podcast are beginning to build a much needed archive on the production and publication of Black Romance.

You can find out more at @blk_romance, Apple Podcasts, Spotify.

Thursday, April 21, 2016

Keira Soleore reports back on the PCA/ACA conference


Keira Soleore has posted summaries of papers presented on romance at the recent PCA/ACA conference:
The Popular Culture Association and American Culture Association's national conference was on Tuesday, March 22 in Seattle. I attended five of the seven sessions in the Romance Area, which was chaired by Eric Selinger of DePaul University.
Keira's first post summarises

"Novel" Representations of Female Sexuality in Popular Fiction Across Cultures by Claire Watson

Aspirational Labor in the Creative Industries: Becoming a “Real” Romance Writer by Jen Lois

Analyzing Dan Savage's "Monogamish" Claim by Shaun Miller

Keira's second post summarises

Poldark As Anti-Antihero: Rebooting Romantic Masculinity for an Age of Crisis by Kyle Sclabach

All Around Great Guys, Mostly: The Evolving Romantic Hero in Literary Webseries by Margaret Selinger

Alpha, Beta, and the Ambiguous Omega: The Diversity of Heroes by Veera Mäkelä

Constructing Black Masculinities in Romance Fiction by Julie Moody-Freeman

Keira's third post summarises

"Lifting as We Climb": Iola LeRoy and the Early African-American Romance by Pamela Regis

Making It American: Epic Romance and the National Myth by Maryan Wherry

You Say Anal Like It's A Bad Thing by Meagan Gacke

Muslim Love American Style: Islamic-American Hybrid Culture and Romance in Muslim Fiction by Layla Abdullah-Poulos

Keira's fourth post summarises

Session Four, on Diversity in Historical Romance

and

Lady Catherine's Descendents: Examples of the Older Other Woman in Romance Fiction by Olivia Waite

A Short Inquiry into the Gothic Romance by Angela Toscano


Thursday, January 28, 2016

Good News! More Romance Studies at DePaul


I can't find any more details yet on DePaul's website but Julie E. Moody-Freeman is:
an Associate Professor in African and Black Diaspora Studies.  She received her Ph.D. in Literature and Cultural Studies at the University of Illinois at Chicago.  Her teaching and research interests include studies in Black Feminist Theory, the Rhetoric of Colonialism and Post-Colonialism, African American popular romance fiction, and Black Speculative fiction.

Moody-Freeman’s publications include co-edited books The Black Imagination, Science Fiction, and the Speculative (Routledge, 2011) and The Black Imagination: Science Fiction, Futurism, and the Speculative (Peter Lang, 2011) as well as a co-edited special issue of African and Black Diaspora Studies: an international journal (Routledge, July 2015) on “Remapping the Black Atlantic: Diaspora, (Re) Writings of Race and Space.”

Monday, April 13, 2009

PCA 2009: Romance 3

More notes from Jessica at Read React Review, this time on

3133 Romance III: The Politics of Romance 1: Sex, Class, Race, Place
Friday, April 10, 2:30 P.M. – 4:00 P.M.
Chair: Darcy Martin, East Tennessee State University

―Complicating the Capitalist: Money and Marriage in Judith McNaught's Contemporary Novels
By Jayashree Kamble, University of Minnesota

―Contemporary Black Romance Novels and the Politics of Representation
By Julie Moody-Freeman, DePaul University

―Rip My Bodice: Sex-Positive Culture and the Romance Novel Today
By Catherine Roach, University of Alabama

―Vulgar v. republican (small r): a comparative discussion of class and origin
By Maryan Wherry, Black Hawk College