Thursday, December 18, 2025

Harlequin France and AI Translation

I've just seen some bad news for the translators employed by Harlequin in France. From Livreshebdo:

Harlequin a contacté en novembre les traductrices et traducteurs de la collection « Azur » pour leur annoncer la fin de leur collaboration, rapportent l'Association des traducteurs littéraires de France et le collectif En chair et en os. En difficulté, la collection de romances courtes sera désormais traduite par l'agence de communication Fluent Planet qui s'appuie notamment sur des outils d'intelligence artificielle, confirme HarperCollins France, maison mère d'Harlequin.

I'll try translating that myself (without using AI!):

According to the Society of Literary Translators of France and the "In Flesh and Bone" group, in November Harlequin contacted the translators employed on the "Azur" series to announce the end of their collaboration. Harper Collins, Harlequin's parent company, confirmed that from now on this series of short romances will be translated by the communications agency Fluent Planet, which relies heavily on AI products.

The full text of the press release issued by the groups supporting the translators can be found here (in French). 

Tuesday, December 09, 2025

University of Liverpool's Online Romance Course

 

Dr Sam Hirst (who runs Romancing the Gothic) will be teaching "Falling in love with love: A History of Popular Romance", a course comprising 10 weekly sessions online (via Zoom), on Wednesdays at 6 - 7.30pm UK time, starting from Wednesday 21 January. 

There will be "online learning materials for you to engage with before and after each live session" and the course fee is £155 (concessions £80).

This module will explore the evolution of romance writing from the 18th century to the current day, looking not only at the novel but at the intertwined relationship between the romance novel and cinema. [...]

This course is aimed at romance readers and anyone who wants to explore the best-selling genre and most influential genre in publishing. Each week there will be a set text but extracts will also be provided as we are aware that participants will need to prioritise their reading.

Syllabus

  1. Amatory Fiction: 18th-Century Women Writing Desire
    • Text: Eliza Haywood, Fantomina (1724)
  2. The Society Romance: Austen and her Legacy
    • Text: Jane Austen, Pride and Prejudice (1813)
    • Pride and Prejudice (BBC, 1995, dir. Simon Langton)
  3. The Rise of the Byronic Hero
    • Text: Charlotte Brontë, Jane Eyre (1847)
  4. Orientalism and the Romance
    • Text: E. M. Hull, The Sheik (1919)
    • The Sheik (dir. Melford, US, 1921)
  5. The Regency Romance
    • Text: Georgette Heyer, The Quiet Gentleman (1951)
    • The Reluctant Widow (Knowles, UK, 1950)
  6. Mills and Boon, Category Romance and the 'Nursies'
    • Betty Neels, Tabitha in Moonlight (1972)
  7. Race and Romance
    • Beverley Jenkins, Indigo (1996)
  8. The Romantic Comedy and Second Chance Romance
    • Texts: The Philadelphia Story (dir. George Cukor, US, 1940)
    • The Lovebirds (dir. Michael Showalter, US, 2020)
  9. Queering the Romance
    • Text: Olivia Waite, Hen Fever (2020)
  10. Romantasy, Mixed Genres, and the future(s) of Romance
    • Text: Tasha Suri, The Isle of the Silver Sea (2025)

Full details can be found on the University of Liverpool's website.