The full conference programme is now available here. Among the papers are:
Elin Abrahamsson, Stockholm University, Sweden:
“Consuming Passions: a queer reading of the popular romance genre through the concept of masturbation”
Katherine Morrissey, Rochester Institute of Technology, New York:
“Keeping It Classy: Studying Sex and Romance”
Len Barot, Bold Strokes Books, New York:
“Diversity in Lesbian Romance Fiction: The Impact of Gender and Race on Marketing and Sales”
Heather Schell, George Washington University, DC:
“Two Nerdy History Girls: Historical Romance Novelists as Teachers of History”
Caryn Radick, Rutgers University, New Jersey:
“Writing about History and Becoming Part of the Historical Record: Romance Writers’ Use of Archives and Archival Collections Documenting Popular Romance”
Jessica Matthews, George Mason University, Virginia:
“Romance as Propaganda: White Fantasy of Indian Love in the 19th –century ‘Civilize the American Indian’ Movement”
Javaria Farooqui, Institute of Information Technology, Lahore, Pakistan:
“‘Raging Seas and Cloudy Skies’: Macro to Meso Level Psychosemantic Movement in Stephanie Laurens’ Black Cobra Quartet”
Erin Young, SUNY Empire State College, New York:
“Love in the Last Frontier: An Analysis of Alaskan Romance Novels”
Margot Blankier, Trinity College, Dublin:
“‘The Sweetest Story Ever Told’: ‘Cinderella’ as American Dream Narrative”
Pavla Stefanska, Masavyk University, Czech Republic:
“Blurring the Lines: Irish mythology and symbolism in Nora Roberts’ The Cousin O’Dwyer’s Trilogy”
Eric Murphy Selinger, DePaul University, Chicago:
“‘Use Heart in Your Search’: Erotic Faith, the Heart Sutra, and the Allusive Art of My Beautiful Enemy”
Jayashree Kamble, Assist. Prof. of English, City University of New York:
“Epistemes and Cultural Dominants: What Popular Romance Novels’ Heroes and Heroines Tell Us About Postmodernity”
Lesley Ann Smith, Curtin, University, Australia:
“Understanding the Formula”
Maryan Wherry, Independent Scholar & Writer, Quad-Cities, Illinois:
“Love and the American Dream in Popular Romance”
Amy Burge, Edinburgh University, Scotland:
“‘Shipping magnates and oil sheikhs’: Decoding the exotic hero in ‘Harlequin Presents’ romance novels, 2000-2015”
Kecia Ali, Boston University:
“Triangulating Desire: Navigating Islamland, Arabiastan, and Romancelandia in Suzanne Brockmann’s Into the Night”
Sarah Ficke, Marymount University, Virginia:
“When Vampires Meet Clockwork: Fantasy Creatures in Steampunk Romance”
Maria-Isabel González-Cruz, Universidad de Las Palmas de Gran Canaria, Canary Islands, Spain:
“Intercultural and interlingual relations in a corpus of popular romance fiction novels”
Mallory Jagodzinski, Bowling Green State University, Ohio:
“Playing Tricks: Neoliberalism, Postfeminism, and Postraciality in Theresa Romain’s Secrets of a Scandalous Heiress”
Hsu-Ming Teo, Macquarie University, Australia:
“When a Jew loves a Nazi: Romance novels and the Holocaust”
Amira Jarmakani, San Diego State University:
“Radioactive Love: Mapping Desire from Agrabah to Abbottabad”
Jonathan Allan, Brandon University, Canada:
“What is the Ever After doing in Happily Ever After? Temporality and Futurity”
Maria Ramos-Garcia, South Dakota State University:
“Creating the Sense of an Ending in Urban Fantasy”
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