Teach Me Tonight

Sarah S. G. Frantz Sarah's take on Laura Struves' article published by JPC is slightly different from Laura's and a lot more ra...

Laura Vivanco Laura Struve's "Sisters of Sorts: Reading Romantic Fiction and the Bonds among Female Readers" appeared in th...

Laura Vivanco Anyone want some (virtual) biscuits? I've been discussing the category-romances-as-biscuits metaphor at the Pink Hear...

Laura Vivanco In the first issue of the Australasian Journal of Popular Culture Toni Johnson-Woods and Vicki Karaminas write that Ou...

Laura Vivanco Joanna Chambers, who very kindly read draft versions of parts of For Love and Money , has extremely generously decided to ...

This is a FINAL CALL for proposals for the Romance Area for the Popular Culture Association's 2012 Annual Conference, which is being hel...

Laura Vivanco I'm very, very pleased to be able to announce that my new book, For Love and Money: The Literary Art of the Harlequin M...

Laura Vivanco Michelle Douglas is a pseudonym used by Therese Michelle Dryden, who recently completed a Creative Writing Masters at the Un...

Laura Vivanco "I thought I was late for a very important date..." Eric Selinger, as Executive Editor of the Journal of Popular Rom...

Laura Vivanco Michelle Douglas , the author of Bachelor Dad on Her Doorstep (2009), " made my heroine and hero, each in their own way...

Laura Vivanco Some new essays, and some reviews, have been added to issue 2.1 of the Journal of Popular Romance Studies . In “ When chick li...

Laura Vivanco Continuing on from the tweeted summary of the keynote speech given to the McDaniel College Popular Romance in the New Mill...